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*Twenty*, directed by Lee Byeong-heon, is a South Korean coming-of-age comedy that offers a refreshing and hilarious take on the trials and tribulations of youth. Released in 2015, the film follows the lives of three friends—Chi-ho (Kim Woo-bin), Dong-woo (Lee Junho), and Kyung-jae (Kang Ha-neul)—as they navigate the chaotic, confusing, and often comical world of adulthood. With its mix of humor, heart, and relatable experiences, *Twenty* quickly became a favorite among audiences, especially those who could see themselves in the characters’ struggles. This review will delve into the film’s plot, characters, humor, and overall impact, exploring why *Twenty* remains a beloved film in the coming-of-age genre.
**Plot Overview**
The film centers around three best friends who have just turned twenty, a milestone that signifies the awkward transition from teenage years to adulthood. Each of the three friends embodies a different aspect of the confusion that often comes with this age.
Chi-ho is the epitome of a carefree playboy. Handsome and charismatic, he spends his days pursuing girls with little regard for the future. Despite his lack of ambition, Chi-ho’s charm and good looks ensure that he never has to face the consequences of his actions—until, of course, life begins to catch up with him.
Dong-woo, on the other hand, is the complete opposite of Chi-ho. A hardworking, aspiring cartoonist, Dong-woo is burdened by the financial struggles of his family. He juggles multiple part-time jobs while striving to achieve his dream of becoming a successful cartoonist, all the while dealing with the pressures of supporting his family.
Lastly, there’s Kyung-jae, the most studious of the three. He enters college with a clear plan for his future, determined to succeed academically and find a respectable job. However, his careful plans are quickly derailed when he falls head over heels for a girl on campus, leading him into a series of humorous and awkward situations.
The film follows these three friends as they navigate love, career aspirations, and the general uncertainty that comes with being twenty. Along the way, they face setbacks and disappointments, but they also experience moments of pure joy and camaraderie that remind them—and the audience—that youth is as much about making mistakes as it is about finding oneself.
**Character Development**
One of *Twenty*'s greatest strengths lies in its well-developed and relatable characters. Each of the three leads represents a different facet of young adulthood, allowing the film to explore a broad spectrum of experiences.
Chi-ho, played by Kim Woo-bin, is perhaps the most entertaining character in the film. His carefree attitude and relentless pursuit of pleasure provide much of the film’s humor. Yet, as the story progresses, Chi-ho is forced to confront the consequences of his actions, leading to some unexpectedly poignant moments. Kim Woo-bin’s performance is spot-on, capturing both the lighthearted and more serious sides of his character.
Lee Junho shines as Dong-woo, bringing depth and vulnerability to a character who could easily have been one-dimensional. Dong-woo’s journey is perhaps the most emotional of the three, as he grapples with the weight of responsibility and the fear of failure. Lee Junho portrays Dong-woo with a sincerity that makes his struggles feel all the more real.
Kang Ha-neul’s portrayal of Kyung-jae is charming and relatable. Kyung-jae’s awkwardness and insecurities are endearing, and his romantic misadventures provide some of the film’s funniest moments. Despite his initial naivety, Kyung-jae grows significantly over the course of the film, learning to embrace the uncertainties of life.
The chemistry between the three leads is another highlight of the film. Their friendship feels genuine, and their interactions are filled with the kind of playful banter and deep loyalty that characterize real-life friendships. This camaraderie is the heart of the film, grounding the more outlandish comedic elements in a sense of authenticity.
**Humor and Tone**
*Twenty* is a comedy at its core, and it delivers laughs in abundance. The humor is a mix of slapstick, witty dialogue, and situational comedy, often rooted in the characters’ youthful naivety and the absurdity of their situations. The film doesn’t shy away from poking
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